After working with medium format in Kenya in the 60's for a book project on Makonde carvings - "Modern Makonde Sculpture" J Anthony Stout. I switched back to 35mm in 1970, then to DSLR digital in 2002. This last switch coincided with an introduction to haiku and it was a natural fit to combine haiku/tanka poetry with digital images in a form known as photo-haiga.
Nikon D700, D200, 24mm f/2.8, 50mm f/1.8, Sigma 150mm Macro f/2.8
Galleries of my photography and photographic haiga, an evolving art form, with roots in the traditional Japanese haiga which combine art with poetry.
Photo-haiga uses digital photography to set haiku or tanka word images against the photographic image, producing an interplay designed to enrich each image, the artist and the viewer.
Galleries of my photography and photographic haiga, an evolving art form, with roots in the traditional Japanese haiga which combine art with poetry.
Photo-haiga uses digital photography to set haiku or tanka word images against the photographic image, producing an interplay designed to enrich each image, the artist and the viewer.
Galleries of my photography and photographic haiga, an evolving art form, with roots in the traditional Japanese haiga which combine art with poetry.
Photo-haiga uses digital photography to set haiku or tanka word images against the photographic image, producing an interplay designed to enrich each image, the artist and the viewer.
Galleries of my photography and photographic haiga, an evolving art form, with roots in the traditional Japanese haiga which combine art with poetry.
Photo-haiga uses digital photography to set haiku or tanka word images against the photographic image, producing an interplay designed to enrich each image, the artist and the viewer.